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View history; General ... Phonograph record; Single (music), including the 45-rpm format; Albums. 45 RPM or the title song, by Paul Van Dyk, 1994;
The 45 rpm speed was chosen to allow a 5 + 1 ⁄ 2 minute playing time from the 7-inch disc. [11] The 7-inch 45 rpm record was released March 31, 1949, by RCA Victor as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs. [12] The first 45 rpm records were monaural, with recordings on both sides of the disc. As ...
The most common rotational speeds for gramophone records are 33 + 1 ⁄ 3 revolutions per minute (rpm), 45 rpm, and 78 rpm. Established as the only common rotational speed prior to the 1940s, the 78 became increasingly less common throughout the 1950s and into more modern decades as the 33 and the 45 became established as the new standards for ...
Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch 78 RPM and 7-inch 45 RPM, in reproduction Parlophone sleeves, 25 copies of each; these are estimated to be worth upwards of £10,000 each. [5] [6]
Conventions shifted in the early 1960s, at which point record companies started assigning the song they wanted radio stations to play to side A, as 45 rpm single records ("45s") dominated most markets in terms of cash sales in comparison to albums, which did not fare as well financially. Throughout the decade the industry would slowly shift to ...
45 RPM singles records were usually drilled with a hole through the label, or stamped "C.O." A special section of a record store devoted to such items was known as the "cut-out bin" or bargain bin. [1] [2] As tapes and CDs supplanted LPs, the mechanisms for indicating a cut-out changed.
Sizes of records in the United States and the UK are generally measured in inches, e.g. 7-inch records, which are generally 45 rpm records. LPs were 10-inch records at first, but soon the 12-inch size became by far the most common. Generally, 78s were 10-inch, but 12-inch and 7-inch and even smaller were made—the so-called "little wonders". [82]
RCA Victor issued boxed sets of four to six 45s, each set providing about the same amount of music as one LP (an extreme example of these 45 rpm boxed sets was the complete 1951 recording of the opera Carmen, featuring Risë Stevens and Jan Peerce, conducted by Fritz Reiner, which consisted of sixteen 45 rpm discs). In the case of operas ...
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