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Using fabric curtains as dividers was an idea imported from China around the same time as Zen Buddhism. [2] The term noren began to be used in the late Kamakura period . Merchants in the Edo period added store names or family crests to the noren to represent the business name or trademark, making the noren a symbol of credibility and reputation.
' wall-curtain ') more images: Lintel-mounted curtain, with ties Made of narrow-loom cloth . Similar to a kichō, which however is free-standing. Coloured streamers are called nosuji (野筋), and are ties for tying it up. [10] Archaic Zejyō (軟障) more images: Tab-top flat-panel curtains Made from narrow-loom cloth (tanmono). May be ...
This style was simplified in teahouse-influenced sukiya-zukuri architecture, [12] and spread to the homes of commoners in the Edo Period (1603–1868), since which shoji have been largely unchanged. [4] Shoji are used in both traditional-style Japanese houses and in Western-style housing, especially in the washitsu (traditional Japanese-style ...
Sudare (簾/すだれ) are traditional Japanese screens or blinds, made of horizontal slats of decorative wood, bamboo, or other natural material, woven together with simple string, colored yarn, or other decorative material to make nearly solid blinds Sudare can be either rolled or folded up out of the way.
A miniature kichō at the Costume Museum in Kyoto. A kichō (几帳) is a portable multi-paneled silk partition supported by a T-pole. [1] It came into use in aristocratic households during and following the Heian period (794–1185) in Japan [2] when it became a standard piece of furniture. [3]
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
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