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Kuge Kuma (公家, court aristocrat) - a dramatic form of blue kumadori used to indicate a villainous imperial court aristocrat looking to overthrow those in power. The design used is very similar to that of sugi-guma. An impression of a kabuki actor's face make-up, preserved on a piece of cloth, is known as an oshiguma.
Both geisha and maiko wear oshiroi on the face and neck, but application on the back of the neck differs per occasion. For most situations, a pattern known as eri-ashi ( 襟足 , lit. ' nape legs ' ) is worn, forming two triangular stripes of unpainted skin from the nape of the neck downward.
Ganguro (ガングロ) is an alternative fashion trend among young Japanese women which peaked in popularity around the year 2000 and evolved from gyaru.. The Shibuya and Ikebukuro districts of Tokyo were the centres of ganguro fashion; it was started by rebellious youth who contradicted the traditional Japanese concept of beauty; pale skin, dark hair and neutral makeup tones.
Us Weekly has affiliate partnerships so we may receive compensation for some links to products and services. Sometimes we feel like our skin must be moisture-proof. We pile on the moisturizing and ...
Japanese courts have decided that to be copyrightable, a text logo needs to have artistic appearance that is worth artistic appreciation. Logos composed merely of geometric shapes and texts are also not copyrightable in general. See COM:CRT/Japan#Threshold of originality for more information.
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
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Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).
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