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To address this, Marshall announced the Origin5, a 5-watt amplifier that can run on either high (5-watt) or low (0.5-watt) with the help of Marshall's Powerstem technology. With the introduction of the Powerstem technology, the Origin amplifiers are able to provide reduced output power while retaining the same tonal characteristics of a full ...
Pages in category "Marshall amplifiers" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. ...
It is a 50-watt, class-AB amplifier, meant to “create an idealized (Marshall) ‘Plexi’ tone". [20] As a “subtle homage” to the Plexi, the Flexi's faceplate is gold Plexiglas . [ 20 ] Like its predecessors, the Flexi-50 was designed to take the same range of vacuum tubes that the UniValve and BiValve-30 can.
The human ear perceives a 5-watt amplifier as half as loud as a 50-watt amplifier (a tenfold increase in power), and a half-watt amplifier is a quarter as loud as a 50-watt amp. Doubling the output power of an amplifier results in a just noticeable increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier.
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
This model evolved into the Hiwatt CP103 (not to be confused with the standard Hiwatt DR103- a completely different tone circuit). In 1973, a DR103W model was created (a CP103 tone circuit with different panel layout). [11] [12] Since the early 1990s, Pete Townshend has relied on Fender Vibroking amps with 212 extension cabinets. At times a ...
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