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The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
Art historian Gao Minglu connects maximalism in Chinese visual art to the literary definition by describing the emphasis on "the spiritual experience of the artist in the process of creation as a self-contemplation outside and beyond the artwork itself...These artists pay more attention to the process of creation and the uncertainty of meaning ...
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A maxim is thought to be part of an agent's thought process for every rational action, indicating in its standard form: (1) the action, or type of action; (2) the conditions under which it is to be done; and (3) the end or purpose to be achieved by the action, or the motive. The maxim of an action is often referred to as the agent's intention.
However, according to Michael Shindler, the decorative art branch of the Aesthetic Movement, was less the utilitarian cousin of Aestheticism's main 'pure' branch, and more the very means by which aesthetes exercised their fundamental design strategy. Like contemporary art, Shindler writes that aestheticism was born of "the conundrum of ...
Philosophy of design is the study of definitions of design, and the assumptions, foundations, and implications of design. The field, which is mostly a sub-discipline of aesthetics , is defined by an interest in a set of problems, or an interest in central or foundational concerns in design.
Henry van de Velde by Georg Kolbe, 1913, Albertinum gallery, Dresden Ghent, Belgium: Boekentoren of Ghent University (to the right.). Henry Clemens van de Velde (Dutch: [ɑ̃ːˈri vɑn də ˈvɛldə]; 3 April 1863 – 15 October 1957) [1] was a Belgian painter, architect, interior designer, and art theorist.
Bazaine was born in Paris. He studied sculpture at the Académie Julian and with Paul Landowski after a brief passage at the École des Beaux-Arts.At the same time, he continued his study of philosophy and literature at the Sorbonne in Paris attaining certificats in art history and philosophy (1921–1925).