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Soliloquy of the Spanish Cloister" is a soliloquy written by Robert Browning, first published in his collection Dramatic Lyrics (1842). It is written in the voice of an unnamed Spanish monk . The poem consists of nine eight-line stanzas and is written in trochaic tetrameter .
It is most famous as the first appearance of Browning's poem The Pied Piper of Hamelin, but also contains several of the poet's other best-known pieces, including My Last Duchess, Soliloquy of the Spanish Cloister, Porphyria's Lover, and Johannes Agricola in Meditation.
Sordello is a narrative poem by the English poet Robert Browning.Worked on for seven years, and largely written between 1836 and 1840, it was published in March 1840. It consists of a fictionalised version of the life of Sordello da Goito, a 13th-century Lombard troubadour depicted in Canto VI of Dante Alighieri's Purgatorio.
Soliloquy (from Latin: "talking by oneself") is a device often used in drama. Soliloquy may also refer to: Soliloquy, a 2002 film by Jacques Zanetti, starring Diahnne Abbott and Drena De Niro; Soliloquy (McCoy Tyner album), a 1991 live album by McCoy Tyner; Soliloquy (Walter Bishop Jr. album) a 1977 solo album by Walter Bishop Jr.
A soliloquy (/ s ə ˈ l ɪ l. ə. k w i, s oʊ ˈ l ɪ l. oʊ-/, from Latin solo "to oneself" + loquor "I talk", [1] plural soliloquies) is a monologue addressed to oneself, thoughts spoken out loud without addressing another character. [2] [3] Soliloquies are used as a device in drama. In a soliloquy, a character typically is alone on a stage ...
"Count Gismond" is a poem by Robert Browning, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics, where it was known simply as "France".
Red Cotton Night-Cap Country, or Turf and Towers (1873) is a poem in blank verse by Robert Browning.It tells a story of sexual intrigue, religious obsession and violent death in contemporary Paris and Normandy, closely based on the true story of the death, supposedly by suicide, of the jewellery heir Antoine Mellerio.
The speaker (presumably the Duke Alfonso of Ferrara) is giving the emissary of the family of his prospective new wife a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting.