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The Piano Sonata No. 28, Op. 101 is the first of the series of Beethoven's "Late Period" sonatas (although sometimes Op. 90 is considered the first), when his music moved in a new direction toward a more personal, intimate, sometimes even introspective, realm of freedom and fantasy. In this period he had achieved a complete mastery of form ...
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
The late piano sonatas of Ludwig van Beethoven usually refer to the last five piano sonatas the composer composed during his late period. Piano Sonata No. 28 in A major, Op. 101; Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier" Piano Sonata No. 30 in E major, Op. 109; Piano Sonata No. 31 in A-flat major, Op. 110
[26] [2] The Piano Sonata No. 1 in C, Op. 1 by Johannes Brahms opens with a fanfare similar to the fanfare heard at the start of the Hammerklavier sonata. Felix Mendelssohn's Piano Sonata in B ♭ major, Op.106, is thought to have been influenced by the Hammerklavier sonata, although the shared Opus number is coincidental.
It began in January 1932, when the Sonata No. 31 in A ♭ major (Op. 110) was the first to be successfully recorded. [8] The final recordings were made in November 1935, and the project culminated with Sonata No. 25 in G major (Op. 79). [9] The Beethoven Society began distributing Schnabel's recordings in March 1932, issuing 12 volumes through ...
In music, Op. 101 stands for Opus number 101. Compositions that are assigned this number include: Beethoven – Piano Sonata No. 28; Brahms – Piano Trio No. 3; Dvořák – Humoresques; Schumann – Minnespiel (4 songs, 2 duets, 2 quartets) Shostakovich – String Quartet No. 6; Strauss – Mephistos Höllenrufe
Ludwig van Beethoven's Piano Sonata No. 3 in C major, Op. 2, No. 3, was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his first and second sonatas in 1796 . The sonata is often referred to as one of Beethoven's earliest "grand and virtuosic" piano sonatas. [ 1 ]
Twenty years later Casals and Horszowski made a live recording of Nos. 2 and 5, together with a transcription for cello of Beethoven's Op. 17 Horn Sonata, in 1958 (Philips 426105). Casals' second complete studio set of the Beethoven sonatas was recorded with Rudolf Serkin at the 1951 Perpignan Festival (No. 2) and at the 1953 Prades Festival ...
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