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String Quartet in G Minor: Scores at the International Music Score Library Project Performance of String Quartet by the Borromeo String Quartet at the Isabella Stewart Gardner Museum in MP3 format 'Debussy Quartet in G minor, Op. 10' , lecture by Roger Parker and performance by the Badke Quartet at Gresham College , 29 January 2008
The strings begin in the first seven bars and then the harp enters pianissimo, doux et soutenu. The Danse profane – marked modéré , ♩ =152, and 3 4 [ 17 ] – is a slow swirling waltz, with its theme alternating with more animated interludes, before fading to a quiet conclusion. [ 18 ]
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.
The effects of the First World War and an interest in baroque composers Couperin and Rameau inspired Debussy as he was writing the sonatas. Durand, in his memoirs entitled Quelques souvenirs d'un éditeur de musique, wrote the following about the sonatas' origin: After his famous String Quartet, Debussy had not written any more chamber music.
Meanwhile, Debussy's Scènes au Crépuscule, after Régnier's poetry, were completed in piano score in 1893, but before Debussy had a chance to orchestrate them he attended the premiere performance of his String Quartet in G minor in December, given by the Ysaÿe Quartet led by Belgian violin virtuoso Eugène Ysaÿe. [13]
Cliché Music for String Quartet (2012), A Mortuis Resurgere: The Resurrection of Chris for Soprano and String Quartet (2013), The Propagation of Faith (2014), Villa Medicea di Pratolino. Cliché Music for String Quartet (2014).
The first theme, Un poco allegro, has a jumpy and festive rhythm, unmistakably evoking klezmer music by alternating low and high registers and using "hairpin" dynamics. The second theme, Più mosso , is a nostalgic cantabile theme introduced in the cello and then passed to the first violin ( Nice 2003 , 161).
[1] [3] Debussy's trio for flute, viola and harp is known a staple for the ensemble and the model that inspired other composers to write for the same instrumentation. [ 6 ] [ 1 ] Both of these early works for flute, viola and harp demonstrate the ensemble's unique sound, paving the way for numerous trios by various composers in the twentieth ...