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Hispanic music in the Philippines derived from Iberian and some Mexican traditions, owing to the Philippine colony's orientation as a distant entrepôt for resale of primarily Chinese and other Asian luxury goods across the Pacific to mainland New Spain (present-day Acapulco, Mexico). Aside from standardized genres are many precolonial musical ...
Marcelo Quiteria Adonay (baptized February 6, 1848 – February 8, 1928) was a Filipino church composer, musician, organist, musical director, and music teacher. [2] He is regarded as a major icon of Philippine golden age of church music for his extensive contribution to religious music in the Philippines throughout his career. [3]
In retaliation, the Japanese formed the New Philippines Symphony Orchestra under the baton of Francisco Santiago. [4] Following the liberation of the Philippines in 1945, the Manila Symphony Orchestra was reformed by Herbert Zipper. [3] [5] Its first post-liberation concert was held in the ruins of Santa Cruz Church on May 9, 1945. [6]
Molina made his first composition in 1912 titled Matinal, which is preserved in an unpublished volume called Miniaturas, Vol. 1. [1]: 147 He was appointed to teach harmony, composition, music history, and violoncello at the University of the Philippines Conservatory of Music, pursuing a career in music education until being appointed dean of the Centro Escolar Conservatory of Music.
Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music.
During the Japanese occupation of the Philippines the University of the Philippines was closed down by the invading Japanese forces. In 1942, Francisco Santiago became music director of the newly established New Philiippines Symphony Orchestra - created to replace the Manila Symphony Orchestra who refused to play under the Japanese rule.
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...