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Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky.The work was composed in 1918. [1] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat, as a thank-you gift to the philanthropist and arts patron Werner Reinhart, who was also an amateur clarinetist. [2]
Intermezzi, Brahms Clarinet Sonatas, András Schiff, Jörg Widmann (ECM New Series 2020) OCLC 1195927027 [116] Opus Klassik – Chamber music recording of the year [117] Mozart, Wolfgang Amadeus; Widmann, Jörg; Naxos Digital Services US (2023), MOZART, W.A.: Clarinet Quintet / WIDMANN, J.: Clarinet Quintet (J. Widmann, Hagen Quartet) , Hong ...
The only wind instrument for which Felix Mendelssohn wrote any solo works is the clarinet. The famous clarinettist Heinrich Baermann and his son Carl for whom Mendelssohn composed the Konzertstücke opp. 113 and 114 (for clarinet, bassett horn and piano), were two of his close friends.
As William O. Smith, he wrote several pioneering pieces that feature many of these techniques, including Duo for Flute and Clarinet (1961) and Variants for Solo Clarinet (1963). [5] In an article titled "Contemporary Clarinet Sonorities" ( Selmer Bandwagon no. 67, fall 1972, pp. 12–14), Smith compiled the first comprehensive catalogue of ...
Previn in 2012. André Previn has composed film scores (including many songs), jazz pieces and contemporary classical music. His earliest compositions known at least by name/type are student works from the mid-1940s (a clarinet sonata, a string quartet, a rhapsody for violin and orchestra and some art songs).
The sonata is now a part of the standard repertoire for clarinet and others outside of the clarinet world have embraced the piece. In 1994 it was orchestrated by Sid Ramin so that it can be played by a solo clarinet with orchestral accompaniment. [7] Yo-Yo Ma has arranged this work for cello and piano. [8]
In this music can be seen the composer's nostalgia for the happier, more productive time he had spent in Paris (1923–1940), years filled with spirited interactions with the group of "Les Six." Notwithstanding its elegance and finish, the music also embraces the passionate strength of his Czech roots.
Carl Nielsen's Concerto for Clarinet and orchestra, op. 57 [D.F.129] was written for Danish clarinetist Aage Oxenvad in 1928. The concerto is presented in one long movement, with four distinct theme groups.
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