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2. Malcolm T. Liepke - Wikipedia

   en.wikipedia.org/wiki/Malcolm_T._Liepke

   His work is influenced by masters such as John Singer Sargent and Diego Velázquez, whose wet-on-wet painting techniques and handling of color and composition have left an evident mark on his style. Other artists who inspired him were Edgar Degas, Henri de Toulouse-Lautrec, James McNeill Whistler or Édouard Vuillard. In turn, his style has ...

3. Jacques Maroger - Wikipedia

   en.wikipedia.org/wiki/Jacques_Maroger

   Maroger's formula and techniques have been studied by many modern painters who wish to obtain the paint quality of the Old Masters. The "secret formula" that Maroger devised during his lifetime included the main ingredient white lead. White lead when cooked into linseed oil acts as a drying agent, accelerating the polymerization of the oil film.

4. India Mahdavi - Wikipedia

   en.wikipedia.org/wiki/India_Mahdavi

   Graphic representation of Laduree, Tokyo. India Mahdavi (born April 4, 1962) is an Iranian-French architect and designer. Over 20 years since launching her own studio, Mahdavi has built a name for herself—working on large hospitality projects, luxury collaborations, and even launching her own furniture line.

5. Interior Design Masters crowns 'colour-mad' winner

   www.aol.com/interior-design-masters-crowns...

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6. List of works by Henri Matisse - Wikipedia

   en.wikipedia.org/wiki/List_of_works_by_Henri_Matisse

   Museum of Modern Art: Interior with a Goldfish Bowl: Les poissons rouges: 1914 Oil on canvas: 147 x 97 cm Paris Centre Georges Pompidou: Woman on a High Stool: Femme au tabouret: 1914 Oil on canvas 147 × 95.5 cm New York City Museum of Modern Art: French Window at Collioure: Porte-fenêtre à Collioure: 1914 Oil on canvas 46 × 35½ in Paris ...

7. Architectural painting - Wikipedia

   en.wikipedia.org/wiki/Architectural_painting

   Architectural painting (also Architecture painting) is a form of genre painting where the predominant focus lies on architecture, including both outdoor and interior views. While architecture was present in many of the earliest paintings and illuminations, it was mainly used as background or to provide rhythm to a painting.