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The National Serigraph Society was founded in 1940 by a group of artists involved in the WPA Federal Art Project, including Anthony Velonis, Max Arthur Cohn, and Hyman Warsager. [ 1 ] [ 2 ] [ 3 ] The creation of the society coincided with the rise of serigraphs being used as a medium for fine art. [ 4 ]
The Society's "active program of traveling exhibits, lectures, and portfolios of prints helped to sustain and broaden interest in the serigraph". [27] The Dallas Museum of Art held several exhibits of the work of the National serigraph Society members in 1944, 1947, and 1951 [28] [29] [30]
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Cohn had worked in the Works Progress Administration's (WPA) easel division and was a co-founder of the National Serigraph Society. [ 67 ] 1962 – Screen printing was given new energy as Pop art visual imagery replicated popular commercialism, notably in Andy Warhol 's Campbell's soup can images, with large scale, colorful, bold prints that ...
In the 1940s Maccoy's work was included in several of the Dallas Museum of Art exhibitions of the National Serigraph Society. [5] [6] [7] In 1947 Maccoy moved to Los Angeles, California where he taught at the Otis Art Institute and was a founder of the Western Serigraph Society. [4] He died on March 18, 1981 [1] in Los Angeles. [2]
She was a founding member of the National Serigraph Society. [1] She was included in the 1947 and 1951 Dallas Museum of Fine Arts exhibitions of the National Serigraph Society. [3] [4] Freedman exhibited her work at the Brooklyn Museum, the Hudson River Museum, the Library of Congress, and the Metropolitan Museum of Art. [2]
A recurring subject were cable car scenes. She was a member of the National Serigraph Society, the San Francisco Art Association, and the San Francisco Women Artists. [1] She died in 1948. [2] The Bakersfield Museum of Art's former name, Cunningham Memorial Art Gallery, had been in her namesake and was founded by her family after her death. [2]
She exhibited at the 1944, 1947, and 1951 Dallas Museum of Art exhibitions of the National Serigraph Society. [6] [7] [8] Chaney was in the first group of artists who received technical advice, in late 1938, on silk screen printing from Anthony Velonis, the leader of the Federal Art Project's newly established Silk Screen Unit.