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Tatsuro's music has been regarded as a symbol of Japanese outdoor music, as represented by Ride on Time and For You in the early 1980s. [ 25 ] [ 26 ] [ 27 ] In 2011, Yamashita's newly-released album Ray of Hope topped the weekly Oricon Albums Chart , making him the fourth singer to have topped the chart at least once per decade for four decades ...
In 1990, BMG Victor told Yamashita of its plans to release the album, and it asked Smile [nb 1] to provide technical help for the project. Smile agreed, and in September 1990 the album was released (BVCR-2505) with the phrase "the only album authorized by Tatsuro Yamashita" displayed on the "obi strip".
It should only contain pages that are Tatsuro Yamashita albums or lists of Tatsuro Yamashita albums, as well as subcategories containing those things (themselves set categories). Topics about Tatsuro Yamashita albums in general should be placed in relevant topic categories .
Moonglow was one of Tatsuro Yamashita's studio albums that stayed the most weeks in the Oricon charts, staying in for fifty weeks. Most of the songs included in this album were written by Minako Yoshida and composed by Tatsuro Yamashita. Before the album came out, "Let's Kiss The Sun" was released as a lead single.
Softly is the fourteenth studio album by Japanese singer-songwriter Tatsuro Yamashita, released on June 22, 2022. It has been certified platinum by RIAJ in July 2022, for sales of over 250,000 copies.
Melodies is the eighth studio album recorded by Japanese singer-songwriter Tatsuro Yamashita, released in June 1983.It was his first LP issued under the Moon Label which was distributed by Alfa Records at the time.
Ride on Time is the fifth studio album by Japanese singer-songwriter Tatsuro Yamashita, released by AIR/RVC on September 19, 1980. It is best known for its title track, which was used in the television commercial for Maxell cassette tapes starring Yamashita, and released as a single in May 1980.
On the Street Corner is a 1980 cover album by Tatsuro Yamashita.The album features Tatsuro Yamashita's favorite oldies, especially doo-wop songs. Many of the takes recorded were initially performed purely as Yamashita's hobby, and while some of them were shown on stage, the number of songs gradually accumulated, so that's it.