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Repetition is the essential comedic device and is often used in combination with other devices to reinforce them. The "callback" in comedy writing—in which a statement or theme is recalled as the punchline or close of a scene—is a classic example of the tension and release that are possible using repetition. It is also the basis for ...
The event covers a variety of topics, but the use of humor is central to its execution. The speech should not resort to base humor, but should be topical and relevant to the idea presented. This type of speech, found at the collegiate level, is typically six to ten minutes long. [3] Generally, it is a humorous speech with a serious undertone or ...
' barrel speech ' (also washtub speech, carnival speech) is a humorous speech, originating in the western German cultural tradition, that is given during carnival. [1] It is usually given at carnival conventions, revue-like events organized by carnival societies.
A paraprosdokian (/ p ær ə p r ɒ s ˈ d oʊ k i ə n /), or par'hyponoian, is a figure of speech in which the latter part of a sentence, phrase, or larger discourse is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part.
Impromptu speaking is a speech that a person delivers without predetermination or preparation. The speaker is most commonly provided with their topic in the form of a quotation, but the topic may also be presented as an object, proverb, one-word abstract, or one of the many alternative possibilities. [1]
An example of such a "comical oxymoron" is "educational television": the humor derives entirely from the claim that it is an oxymoron by the implication that "television" is so trivial as to be inherently incompatible with "education". [20]
An anti-proverb or a perverb is the transformation of a standard proverb for humorous effect. [1] Paremiologist Wolfgang Mieder defines them as "parodied, twisted, or fractured proverbs that reveal humorous or satirical speech play with traditional proverbial wisdom". [2]
Another popular form was a collection of jests, jokes and funny situations attributed to a single character in a more connected, narrative form of the picaresque novel. Examples of this are the characters of Rabelais in France, Till Eulenspiegel in Germany, Lazarillo de Tormes in Spain and Master Skelton in England.
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