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The Ambassadors is a 1533 painting by Hans Holbein the Younger. Also known as Jean de Dinteville and Georges de Selve , [ 1 ] after the two people it portrays, it was created in the Tudor period , in the same year Elizabeth I was born.
Self-portrait, c. 1542–43.Coloured chalks and pen, heightened with gold, Uffizi Gallery, Florence. This list of paintings by Hans Holbein the Younger contains a selection of the artist's best-known paintings, as well as a few copies and derivatives of his art, some of which relate to lost works.
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Hans Holbein the Younger (UK: / ˈ h ɒ l b aɪ n / HOL-byne, [2] US: / ˈ h oʊ l b aɪ n, ˈ h ɔː l-/ HOHL-byne, HAWL-; [3] [4] [5] German: Hans Holbein der Jüngere; c. 1497 [6] – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. [7]
He went on to serve as the Ambassador to France, Treasurer of the Household, Lord High Admiral, and Lord Privy Seal. [88] The drawing is a study for a painting by Holbein, now lost (either the original or a copy perished in the fire that destroyed Cowdray House, Sussex, in 1793); [89] [85] one copy survives in the Fitzwilliam Museum, Cambridge ...
He was sent by King Francis I of France as ambassador to the Republic of Venice, Austria (in April 1540), to the Pope in Rome, to England, Germany and Spain. He is the figure of the right in a picture by Hans Holbein the Younger, The Ambassadors, and Jean de Dinteville is the other one, which hangs in the National Gallery, London. [2]
Pages in category "Portraits by Hans Holbein the Younger" The following 23 pages are in this category, out of 23 total. ... The Ambassadors (Holbein) C.
He moved in 1521 to Basel, the city where Hans Holbein the Younger lived and had his workshop. Such was the fame of Erasmus, who corresponded with scholars throughout Europe, that he needed many portraits of himself to send abroad to his protectors; although not an admirer of painting, he understood the power of image. [1]
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