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The full-orchestra version is scored for 3 flutes (2nd and 3rd doubling piccolo), 2 oboes (2nd doubling 2nd English horn), English horn, 2 clarinets, bass clarinet, 2 bassoons, 4 French horns, 3 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, tamtam, celesta, harp, organ, and strings (violins, violas, cellos, and double basses).
For the same vocal forces, organ and (reduced) orchestra (several instruments ad libitum, but one or more string instruments in every movement): published in 1961; For the same vocal forces and piano (unpublished) Quatre Motets sur des thèmes grégoriens op. 10 for choir a cappella (1960): Ubi caritas et amor; Tota pulchra es; Tu es Petrus ...
Mark Rochester of Gramophone writes of the 'highly polished, virtually flawless sound of the Houston Chamber Choir' on the project. [6] James Manheim of AllMusic writes 'The album presents all of Duruflé's choral music, which fits conveniently on one CD, and it offers both distinctive performances and really superb recording of an impressive organ.'. [7]
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Maurice Duruflé composed the four motets in 1960, based on Gregorian themes, as he had done before in his Requiem of 1948. He set Latin texts, scored for unaccompanied voices: a mixed choir in Nos. 1, 3 and 4, and a women's choir in No. 2. [1] Duruflé dedicated the work to Auguste Le Guennant, the director of the Gregorian Institute of Paris. [2]
In a 2014 recording entitled Music for Remembrance, O'Donnell combined Duruflé's Requiem, in the orchestral version, with choral works written in memory of those fallen in the World Wars, including Three Prayers of Dietrich Bonhoeffer set by Philip Moore and The peace that surpasseth understanding by John Tavener, performed by soloists ...
There is a contradictionon this page and the Durufle Requiem page. This page clearly states that there are three versions: * Version with Organ (1948) * Version with Orchestra (1950) * Version with small Orchestra (1961) while the page on the Durufle Requiem page clearly says that there are the following three versions:
In this instance the symbol is surrounded by tones of the Harmonic Series that occurs in Nature. Writing a final chord and leaving listeners with heightened expectation seems an appropriate, lovely gift and a natural musical conclusion for Durufle's REQUIEM. Jean Thiel, DMA Hailbale 00:59, 7 June 2008 (UTC)
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related to: durufle's requiem recording piano instrument with 3 different numbers