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LAN-Chile Douglas DC-3, added to the fleet in 1945 DC-6 at Los Angeles 1965 In 1940, given the restrictions imposed during WWII on access to spare parts for the Junker's BMW engines, LAN Chile had to replace them with Lockheed Model 10A Electras , adding in 1941 further Lockheed Lodestar C-60 and Douglas DC-3 in 1945.
The agreement to establish LATAM was approved by Chilean authorities on 21 September 2011, with 11 restrictions. These included transferring four landing slots at São Paulo–Guarulhos International Airport to competitors interested in operating flights to Santiago de Chile's Arturo Merino Benítez International Airport, renouncing membership to either the Oneworld or Star Alliance airline ...
In the film, Frank Martin, a British mercenary driver living in France, finds himself involved in a human trafficking plot. The Transporter premiered at the Regency Village Theatre in Los Angeles on 2 October 2002 and was first theatrically released in the United States on 11 October by 20th Century Fox , and in France on 23 October by EuropaCorp .
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LAN-Chile Flight 107 was a regular scheduled international flight from the Chilean capital Santiago to Buenos Aires in Argentina. On 6 February 1965, the Douglas DC-6B-404 operating the flight crashed in the Andes. All 88 occupants of the aircraft died in the crash. [1]
Le Diable et les Dix Commandements (English: The Devil and the Ten Commandments) is a French film from 1962 directed by Julien Duvivier that consists of seven sketches (eight in the versions shown in Germany and Japan) played by an ensemble cast that includes Michel Simon, Micheline Presle, Françoise Arnoul, Mel Ferrer, Charles Aznavour, Lino Ventura, Fernandel, Alain Delon, Danielle Darrieux ...
The film The Given Word / Keeper of Promises (1962) by Anselmo Duarte, won the Palme d'Or at the 1962 Cannes Film Festival, [13] becoming the first (and to date the only) Brazilian film to achieve that feat. A year later, it also became the first Brazilian and South American film nominated for the Academy Award for Best Foreign Language Film.
Rotten Tomatoes, a review aggregator, reports that 80% of five surveyed critics gave the film a positive review; the average rating is 6/10, based on 5 reviews. [6] Peter Deburge of Variety wrote that viewers' imaginations would make for a better plot. Debruge concluded that it "certainly looks stunning, but it's remarkably empty-headed". [7]