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Dostoevsky saw Russia's growing suicide rate as a symptom of the decline of religious faith and the concomitant disintegration of social institutions like the family. [67] Self-destruction as a result of atheism or loss of faith is a major theme in Demons and further recalls the metaphor of the demon-possessed swine in the epigraph. [68]
Portrait of Fyodor Dostoyevsky in 1872 painted by Vasily Perov. The themes in the writings of Russian writer Fyodor Dostoevsky (frequently transliterated as "Dostoyevsky"), which consist of novels, novellas, short stories, essays, epistolary novels, poetry, [1] spy fiction [2] and suspense, [3] include suicide, poverty, human manipulation, and morality.
Fyodor Dostoevsky. The Brothers Karamazov (1990) Crime and Punishment (1992) Notes from Underground (1993) Demons (1994) The Eternal Husband and Other Stories (1997) A Nasty Anecdote; The Eternal Husband; Bobok; The Meek One; The Dream of a Ridiculous Man; The Idiot (2002) The Adolescent (2003) The Double (2005) The Gambler (2005) Notes from a ...
Notes from Underground (pre-reform Russian: Записки изъ подполья; post-reform Russian: Записки из подполья, Zapíski iz podpólʹya; also translated as Notes from the Underground or Letters from the Underworld) [a] is a novella by Fyodor Dostoevsky first published in the journal Epoch in 1864.
The theme had already been vividly depicted in all the earlier major novels, particularly Demons, but in The Brothers Karamazov Dostoevsky artistically represents and counterposes the two antithetical worldviews in archetypal forms — the character of Ivan Fyodorovich and his legend of The Grand Inquisitor, and the characters of Alyosha and ...
First English language edition (publ. Hamish Hamilton, 1960) The Possessed (in French Les Possédés) is a three-part play written by Albert Camus in 1959. The piece is a theatrical adaptation of Fyodor Dostoyevsky's 1872 novel The Possessed, later renamed Demons.
The book was a major critical success in the German-speaking world. Critics compared it to the works of Dostoevsky, Dante Alighieri, Leo Tolstoy and Honoré de Balzac.The critic Klaus Nüchtern described its scale and structure as a development of the architecture of Gothic cathedrals. [1]
La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [1] (lit. ' The Chinese, or, Rather, in the Chinese Manner: A Film in the Making '), commonly referred to simply as La Chinoise, is a 1967 French political docufiction film written and directed by Jean-Luc Godard about a group of young Maoist activists in Paris.