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In October 1954, Howlin' Wolf recorded his version, titled simply "Forty Four", as an electric Chicago blues ensemble piece. Unlike the early versions of the song, Wolf's recording featured prominent guitar lines and an insistent "martial shuffle on the snare drum plus a bass drum that slammed down like an industrial punch-press", according to biographers. [7]
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
The Penguin Guide to Blues Recordings [ 4 ] AllMusic reviewer Cub Koda wrote: "The 1972 live album Live and Cookin' at Alice's Revisited is a great document of Wolf toward the end, still capable of bringing the heat and rocking the house down to the last brick".
AllMusic reviewer Ken Chang stated "Wolf adamantly refuses to back down from his rivals, resulting in a flood of contentious studio banter that turns out to be more entertaining than the otherwise unmemorable music from this stylistic train wreck. Although Wolf and Waters duke it out in earnest on the blues standards, the presence of Diddley ...
"I Ain't Superstitious" is a mid-tempo stop-time blues song that does not follow the typical chord progression. [2] Musician and writer Bill Janovitz described it as "not merely an electric version of the blues practiced in the Delta; it is something wholly new, a more aggressive and sophisticated Chicago cousin that acknowledges contemporary jazz, R&B, and pop forms".
"Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Door Man", and in Wolf's own "Smokestack Lightning". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. [ 5 ] Music critic Bill Janovitz ...
"How Many More Years" is a blues song written and originally recorded by Howlin' Wolf in 1951. Recorded at the Memphis Recording Service – which later became the Sun Studio – it was released by Chess Records and reached No. 4 on the Billboard R&B chart.
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