Search results
Results from the WOW.Com Content Network
Ilsan is home to Lake Park (호수공원).The lake covers 72.9 acres (295,000 m 2) and is the largest artificial lake in Asia. [1] Lake Park features a variety of wild flowers and plants, such as a cactus arboretum and botanical gardens, recreational facilities, a 4.7 km bike path, and a musical fountain.
Jeongbalsan Park is located in the center of Ilsan. It is a large residential park which features a large hiking hill with trails, a large Buddhist temple, some historical thatched roof houses, and an outdoor gymnasium. The Goyang Aram Complex is also located in Ilsan between Lake Park and Jeongbalsan mountain. The theater has 1,887 seats.
Listed to compete at the 1968 Cannes Film Festival: A beszélő köntös: Tamás Fejér: István Iglódi, Antal Páger: Agitátorok : Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán ...
This page was last edited on 2 February 2025, at 03:24 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Ádám Magyar: Animation: First freely downloadable computer animated 3D feature-film Iszka utazása: Csaba Bollók: Mária Varga, Marian Ursache: A Nap utcai fiúk: György Szomjas: Kata Gáspár, Péter Bárnai: Ópium – Egy elmebeteg nő naplója: János Szász: Ulrich Thomsen, Kirsti Stuboe: Entered into the 29th Moscow International Film ...
Ilsan-gu is the name of two districts or wards (Ilsandong-gu, literally “Eastern Ilsan district”, and Ilsanseo-gu, literally “Western Ilsan district”) in Goyang, Gyeonggi-do, South Korea. Ilsan-gu was divided into Ilsandong-gu and Ilisanseo-gu on May 16, 2005.
1945 is a 2017 Hungarian drama film directed by Ferenc Török [2] and co-written by Török and Gábor T. Szántó.It concerns two Jewish survivors of the Holocaust who arrive in a Hungarian village in August 1945, and the paranoid reactions of the villagers, some of whom fear that these and other Jews are coming to reclaim Jewish property.
It is a failure of the film-making method, but the method itself cannot be blamed. The reason is rather that the director's vision is unfocused and too ambitious." [ 4 ] Felicitas Becker of Kinoeye wrote, ″The director, Ibolya Fekete, has claimed that the film is a call to kiss goodbye to ideologies of all kind, and especially to stop killing ...