Search results
Results from the WOW.Com Content Network
H. Half of Me (Thomas Rhett and Riley Green song) Hands of Death (Burn Baby Burn) ¡Happy Birthday Guadalupe! Happy Thoughts (song) Hell Right; Hey Oh
Most of these pianists performed works for piano four-hands (two pianists at one piano; also known as piano duet) as well as works for two pianos, often with orchestras or chamber ensembles. Some of these teams focussed exclusively or predominantly on this repertoire, but some also appeared separately as solo pianists.
Lee Hazlewood and Nancy Sinatra on The Hollywood Palace, 1968. Barton Lee Hazlewood (July 9, 1929 – August 4, 2007) was an American country and pop singer, songwriter, and record producer, most widely known for his work with guitarist Duane Eddy during the late 1950s and singer Nancy Sinatra in the 1960s and 1970s. [1]
Lee would provide backing vocals for Peters' solo act. She was also at the time part of a dance act with her cousin Liz. Their original act was called 'Lennie Peters and Melody' until their management International Artists suggested the name 'Peters and Lee'. Their first performance was with Rolf Harris on 30 April 1970 at a concert in Bournemouth.
DJ Easy Lee The Treacherous Three was a pioneering American hip hop group that was formed in 1978 and consisted of DJ Easy Lee, Kool Moe Dee , L.A. Sunshine , Special K and Spoonie Gee (who left in the late 1970s), with occasional contributions from DJ Dano B, DJ Reggie Reg and DJ Crazy Eddie.
Last Man Standing is the 39th studio album released by American recording artist, pianist, and rock and roll pioneer Jerry Lee Lewis in September 2006. The album consists of duets between Lewis and some of the biggest names in both rock and country music, past and present.
A short item in which the details of an entry in the book of the same name would be read out. At one point, it was noted as the least popular part of the show, but to be kept in 'until it becomes so popular, it gets its own series'. Men whose entries were read included Harold Warner Munn, Robin Dudding, and Moritz Jagendorf.
Full of whimsical, often violent contrasts in color and dynamics, Blake's playing was an eccentric, fractured collage of twentieth-century modernism, Thelonious Monk, gospel, and film music. His spiky, unresolved style found a perfect foil in the serenity and poise of Lee's singing and in her precise, sensuous diction."