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The Postmodernism Generator is a computer program that automatically produces "close imitations" of postmodernist writing. It was written in 1996 by Andrew C. Bulhak of Monash University using the Dada Engine, a system for generating random text from recursive grammars . [ 1 ]
The Mad Libs books were conceived around the same time as Strachey wrote the love letter generator. [3] It was also preceded by John Clark's Latin Verse Machine (1830-1843), the first automated text generator.
Twitter user Ronnie Joyce came across the poem above on the wall of a bar in London, England. While at first the text seems dreary and depressing, the poem actually has a really beautiful message.
Gunga Din" (/ ˌ ɡ ʌ ŋ ɡ ə ˈ d iː n /) is an 1890 poem by Rudyard Kipling set in British India. The poem was published alongside "Mandalay" and "Danny Deever" in the collection "Barrack-Room Ballads". The poem is much remembered for its final line "You're a better man than I am, Gunga Din". [1]
Every day, they share fascinating trivia, building a collection that now includes over 10,000 unique facts. While it was tough to pick from so many, we’ve rounded up some of their most ...
A clerihew (/ ˈ k l ɛr ɪ h j uː /) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley.The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject.
In the adjective phrase foolish in the extreme, for example, the preposition phrase in the extreme functions as a modifier. Less commonly, certain adverbs ( indeed and still ) and one determiner ( enough ) can head phrases that function as post-head modifiers in adjective phrases (e.g., very harmful indeed , sweeter still , and fair enough ).
Each collaborator adds to a composition in sequence, either by following a rule (e.g., "The adjective noun adverb verb the adjective noun." as in "The green duck sweetly sang the dreadful dirge.") [citation needed] or by being allowed to see only the end of what the previous person contributed.