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The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E ♭ , smaller than the B ♭ tenor but larger than the B ♭ soprano .
Poem for Alto Saxophone and Piano(1986)—Anders Eliasson; Whirled Series (1987)—Milton Babbitt [40] [41] Keening for Alto saxophone and Piano (1987)—Michael Berkeley; Sonata for Alto Saxophone and Piano (1988)—David Maslanka; Sonata for Alto Saxophone and Piano (1990)—Arthur Frackenpohl; Novella for alto saxophone and piano (1991 ...
Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
"Mirror forms", P, R, I, and RI, of a tone row (from Arnold Schoenberg's Variations for Orchestra Op. 31, "Called mirror forms because...they are identical". [1]In music, a tone row or note row (German: Reihe or Tonreihe), also series or set, [2] is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both ...
Sonata for Alto Saxophone and Piano [25] Alban Berg Sonata for Piano, Op. 1 [26] Wozzeck [26] [27] Carlos Chávez Sinfonía de Antígona (Symphony No. 1), uses quartal harmony throughout [28] Sinfonía india (Symphony No. 2), the A-minor Sonora melody beginning in b. 183 is accompanied by quartal harmonies [29] Aaron Copland Of Mice and Men [30]
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