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Canto Ostinato ("Obstinate Song" (as ostinato)) is a musical composition written by the Dutch composer Simeon ten Holt. The piece was completed in 1976 and performed for the first time in 1979 and is by far his most popular and most performed work.
Van Veen's compositions are primarily solo piano works and could largely be described as minimal music. His latest recordings have also focused on minimal music, including a 9 CD Minimal Piano Collection box set, somewhat dominated by the music of Philip Glass , the complete piano music of George Crumb , and a collaboration on recording all of ...
In gospel and soul music, the band often vamps on a simple ostinato groove at the end of a song, usually over a single chord. In soul music, the end of recorded songs often contains a display of vocal effects—such as rapid scales, arpeggios, and improvised passages. For recordings, sound engineers gradually fade out the vamp section at the ...
In singing, a controlled swell (i.e. crescendo then diminuendo, on a long held note, especially in Baroque music and in the bel canto period) [2] mesto Mournful, sad meter or metre The pattern of a music piece's rhythm of strong and weak beats mezza voce Half voice (i.e. with subdued or moderated volume) mezzo
Here it is usually a faster, brasher, semi-improvised instrumental section, sometimes with a repetitive vocal refrain. Finally, the term montuno is also used for a piano guajeo, [1] the ostinato figure accompanying the montuno section, when it describes a repeated syncopated piano vamp, often with chromatic root movement. [2]
A guajeo (Anglicized pronunciation: wa-hey-yo) is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term guajeo for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones.
A 2008 medley by the comedy group the Axis of Awesome, called "Four Chords", demonstrated the ubiquity of the progression in popular music, for comic effect; for instance, as the progression is played as an ostinato, sometimes it is used as a vi–IV–I–V (i. e. the "pessimistic" inversion). It does not accurately represent the chord ...
Piano, string quartet [11] String Quartet [n 2] 1907 unpubd. – String quartet [11] Fünf Sätze 1909 1922 Op. 5 String quartet [11] Vier Stücke 1910, 1914 1922 Op. 7 Violin, piano [11] Sechs Bagatellen 1911, 1913 1924 Op. 9 String quartet [11] Drei kleine Stücke 1914 1924 Op. 11 Cello, piano [11] Cello Sonata 1914 1970* – Cello, piano [11 ...