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This is a category for plays originally written in the German language, by German, Austrian, Swiss or other applicable German-speaking playwrights. Subcategories This category has the following 9 subcategories, out of 9 total.
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The shift affected mostly scientific writing in Germany, whereas most belletristic literature and newspapers continued to be printed in Fraktur. The Fraktur typefaces remained in use in Nazi Germany , when they were initially represented as true German script; official Nazi documents and letterheads employed the font, and the cover of Hitler 's ...
Dramaturgy is distinct from play writing and directing, although the three may be practiced by one individual. [1] Some dramatists combine writing and dramaturgy when creating a drama. Others work with a specialist, called a dramaturge, to adapt a work for the stage.
B. Julius Bab; Ernst Barlach; Kurt Barthel (writer) Ulrich Becher; Sibylle Berg; Ludwig Berger (director) Elsa Bernstein; Max Bernstein; Friedrich Bethge; Fritz Oswald Bilse
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Benjamin singles out the theme of "sovereign violence" as the most important unifying feature of the German "trauerspiel" or "mourning play". In their obsessive focus on courtly intrigue and princely bloodlust, these playwrights break with the mythic tradition of classical tragedy and create a new aesthetic based on the tense interplay between ...
Periodization is not an exact science but the following list contains movements or time periods typically used in discussing German literature. It seems worth noting that the periods of medieval German literature span two or three centuries, those of early modern German literature span one century, and those of modern German literature each span one or two decades.