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The Wall Tour was a concert tour by the English progressive rock band Pink Floyd throughout 1980–1981 in support of their concept album The Wall. [1] The tour was relatively small compared to previous tours for a major release, with only 31 shows performed across four venues. Concerts were only performed in England, the United States and Germany.
The Wall Live was a worldwide [1] concert tour by Roger Waters, formerly of Pink Floyd. [2] [3] [4] The tour is the first time the Pink Floyd album The Wall has been performed in its entirety by the band or any of its former members since Waters performed the album live in Berlin 21 July 1990. The first leg of the tour grossed in North America ...
Charleston Farmhouse, near Lewes, East Sussex. Charleston, in East Sussex, is a property associated with the Bloomsbury group, that is open to the public.It was the country home of Vanessa Bell and Duncan Grant and is an example of their decorative style within a domestic context, representing the fruition of more than sixty years of artistic creativity. [1]
Playin' to Win Tour December 30, 1978 Pat Travers Band: Ozzy Osbourne: Bark at the Moon Tour May 18, 1984 Mötley Crüe Page & Plant: Walking into Clarksdale Tour May 23, 1998 Lili Haydn: Pantera: The Great Southern Trendkill Tour July 5, 1996 White Zombie: Parliament-Funkadelic: 1979 Tour March 11, 1979 The Brides of Funkenstein: Pat Benatar ...
However, Roger Waters, as a solo artist, premiered the song almost 35 years after its release in a concert from the Us + Them Tour, held on 17 October 2018 at Itaipava Arena Fonte Nova in Salvador, Bahia, Brazil. [4] Waters also played it in 2022 on his 2022–23 show This Is Not a Drill.
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The Early Literary History of the Bloomsbury Group: Victorian Bloomsbury, 1987; Edwardian Bloomsbury, 1994; Georgian Bloomsbury, 2003; Victoria Rosner (ed), The Cambridge Companion to the Bloomsbury Group, 2014; Derek Ryan and Stephen Ross (eds), The Handbook to the Bloomsbury Group, 2018; Richard Shone, Bloomsbury Portraits (1976). Museums and ...
In the parish accounts, the painting is first mentioned in 1636, at which time a "M. Jacob Conterfeyer" was recorded as having "renewed the painting hanging on the northern wall". [9] Modern scholarship has convincingly identified Jacob Heinrich Elbfas (1600–1664), guild master from 1628 and court painter of Queen Maria Eleonora from 1634, as ...