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Poster with Arabic script encouraging women to join the Komsomol (issued in Moscow in 1921) Under socialist realism, a number of stock images were used, including the clean-shaven worker and bearded farmer. Women, men, and children were portrayed as loyal workers who were "steady of gaze and firm of muscle". [7]: 96
Don't Let that Shadow Touch Them is a U.S. War Bond poster created by Lawrence Beall Smith in 1942, [1] created in support of the U.S. war effort upon America's entry into World War II. [2] It features three young children, apprehensive and fearful, as they are enveloped by the large, dark arm of a swastika shadow. [ 3 ]
Nominating this pair of posters as a set. High resolution Canadian war bond lithographs in French and English that depict three French women pulling a plow that had been built for horses and men. Restored versions of File:Canada WWI l'Emprunt de la Victoire.jpg and File:Canada WWI Victory Bonds.jpg. Articles this image appears in
The Office of War Information (OWI) Bureau of Graphics was the government agency in charge of producing and distributing propaganda posters. [16] The main distinction between United States poster propaganda and that of British and other allied propaganda was that the U.S. posters stayed mostly positive in their messages. [16]
Many motion pictures during the time, especially war dramas (a form of propaganda itself), included a graphic shown during the closing credits advising patrons to "Buy War Bonds and Stamps", which were sometimes sold in the lobby of the theater. The Music Publishers Protective Association encouraged its members to include patriotic messages on ...
Eventually, the series became widely distributed in poster form and became instrumental in the U. S. Government War Bond Drive. People who purchased war bonds during the 1943–1944 Four Freedoms War Bond Show received a full-color set of reproductions of the Four Freedoms, as well as commemorative covers with Freedom of Speech to store the ...
One of the most photographed women of the 20th century, Bond girl Britt Ekland first became a famous face after 1971's 'Get Carter.'
In addition to appearing in the posters, Stewart toured the U.S. as one of the four members of a group called the Bondbardiers, accompanied by various Hollywood stars, to sell war bonds. In 1945, she toured Europe and was one of the first civilians to enter Germany after the end of the war. Her appearance in London's Hyde Park "caused gridlock ...