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Examples of jewelry worn by the higher social classes include solid gold necklaces, earrings, bracelets, rings, and bulla with many variations within these classes of jewelry. Some bracelets were used without clasps (solid gold snake bracelets), while others used gold pins or small gold screws to fasten the bracelet to the wrist.
Polynices offering Eriphyle the necklace of Harmonia; Attic red-figure oenochoe ca. 450–440 BC. Louvre museum. The Necklace of Harmonia, also called the Necklace of Eriphyle, was a fabled object in Greek mythology that, according to legend, brought great misfortune to all of its wearers or owners, who were primarily queens and princesses of the ill-fated House of Thebes.
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
The smaller figure before "restoration" The two Knossos snake goddess figurines were found by Evans's excavators in one of a group of stone-lined and lidded cists Evans called the "Temple Repositories", since they contained a variety of objects that were presumably no longer required for use, [5] perhaps after a fire. [6]
The Usekh or Wesekh is a personal ornament, a type of broad collar or necklace, familiar to many because of its presence in images of the ancient Egyptian elite. Deities, women, and men were depicted wearing this jewelry. One example can be seen on the famous gold mask of Tutankhamun.
Eye miniatures or Lovers' eyes were Georgian miniatures, normally watercolour on ivory, depicting the eye or eyes of a spouse, loved one or child. These were usually commissioned for sentimental reasons and were often worn as bracelets, brooches, pendants or rings with richly decorated frames, serving the same emotional need as lockets hiding portraits or locks of hair.
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