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Concerto No. 2 for Double Bass and Orchestra "Afroargentino", Op. 125 (2015) Concerto No. 3 for Double Bass and Orchestra "Porteño", Op. 129 (2016) Francine Aubin Concert pour Ariane (1988) Judith Bailey. Double Bass Concerto in the Style of Haydn (2008) (2017) Ragnhild Berstad. Origo (1989-91) for Solo Double Bass and String Quartet; Anatoly ...
The history of the double bass is tightly coupled to the development of string technology, as it was the advent [6] of overwound gut strings, which first rendered the instrument more generally practicable, as wound or overwound strings attain low notes within a smaller overall string diameter than non-wound strings. [18]
Guitar music indicates thumb, occasionally used to finger bass notes on the low E string, with a 'T'. Position may be indicated through ordinal numbers (e.g., "third" as opposed to "three") or (uncommon) Roman numerals. A string may also be indicated through Roman numerals, often I-IV, or by its open-string note.
This list of double bassists in popular music includes double bass performers from a range of genres, including rockabilly, psychobilly, country, blues, folk, bluegrass, and other styles. In these styles, the instrument is often referred to as an upright bass or a standup bass.
The violins play glissando, pizzicato, tremolo, and in double stops, and use particular effects such as col legno (striking the wood of the bow on the strings) and sul ponticello (bowing close to the bridge), in order to imitate the sounds of a cat, a dog, a hen, the lyre, clarino trumpet, military drum, Spanish guitar, etc. (Boyden 2001; Pyron ...
Contrabass (from Italian: contrabbasso) refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass (which is the bass instrument in the orchestral string family, tuned lower than the cello), many other instruments in the contrabass register exist.
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
Later, when she transferred her songs to the guitar, she formed a unique style, since on a 5-string banjo the uppermost string is not a bass string, but a short, high-pitched string which ends at the fifth fret. This required her to adopt a unique style for the guitar. She first played with the "all finger down strokes" like a banjo. [14]
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