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Napoleon's Return from Elba (French: Retour de Napoleon d' Isle d'Elbe) is an 1818 history painting by the German-born French artist Charles de Steuben. [1] [2] It depicts the scene at Laffrey near Grenoble on 7 March 1815 when Napoleon, having escaped from Elba, is acclaimed by the men of the 7th Regiment of the Line.
Not coincidentally the work was made in the same year that the Retour des cendres (return of the ashes), or the return of Napoleon's mortal remains from the island of Saint Helena took place. The original of the painting is held at the Museum der bildenden Künste , in Leipzig , while there are copies at the Army Museum , in Paris , [ 1 ] [ 2 ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1856, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The Public Viewing David's 'Coronation' at the Louvre is an 1810 oil painting by the French artist Louis-Léopold Boilly. [1] [2] It depicts a crowd of spectators at the Salon of 1810 at the Louvre in Paris examining the painting The Coronation of Napoleon by Jacques-Louis David, which portrays the coronation of Napoleon and his first wife Josephine. [3]
Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps; listed as Le Premier Consul franchissant les Alpes au col du Grand Saint-Bernard) is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805.
He produced prints of Scènes de la Révolution (he had taken part in the French Revolution himself), the Cris de Paris (Street Cries of Paris) and the Campagnes de Napoléon (illustrating Bonaparte's Italian campaigns, after paintings by Carle Vernet). He also collaborated on some prints with Jean-Louis Delignon, who sometimes completed ...
He wanted his painting to show the contrasting world views of Napoleon and Pius, particularly the latter's moral dilemma in dealing with the perceived evil of the domineering French emperor. [ 5 ] It was exhibited at the Royal Academy 's 1836 Summer Exhibition at Somerset House . [ 6 ]
Napoleon's tomb at Les Invalides. The retour des cendres (literally "return of the ashes", though "ashes" is used here as a metaphor for his mortal remains, as he was not cremated) was the return of the mortal remains of Napoleon I of France from the island of Saint Helena to France and the burial in Hôtel des Invalides in Paris in 1840, on the initiative of Prime Minister Adolphe Thiers and ...