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Def by Temptation is a 1990 American black horror film written, produced, and directed by James Bond III, who also stars in the film alongside Cynthia Bond, Kadeem Hardison, Samuel L. Jackson, and Bill Nunn.
Something the Lord Made is a 2004 American made-for-television biographical drama film about the black cardiac pioneer Vivien Thomas (1910–1985) and his complex and volatile partnership with white surgeon Alfred Blalock (1899–1964), the "Blue Baby doctor" who pioneered modern heart surgery.
Hermeneutics was initially applied to the interpretation, or exegesis, of scripture, and has been later broadened to questions of general interpretation. [9] The terms hermeneutics and exegesis are sometimes used interchangeably. Hermeneutics is a wider discipline which includes written, verbal, and nonverbal [7] [8] communication.
DeMille was reluctant to cast anyone who had appeared in 20th Century Fox's The Egyptian, [43] a rival production at the time. [44] Several exceptions to this are the casting of John Carradine and Mimi Gibson (in credited supporting roles) and Michael Ansara and Peter Coe (in uncredited minor roles), who appeared in both films.
In this monster movie sequel, deaf actor Kaylee Hottle reprises her role as a young girl who communicates with King Kong and other characters in sign language. The Good Shepherd: 2006: In the American spy film, the hearing protagonist (played by Matt Damon) enters a relationship with a deaf woman (played by hearing actor Tammy Blanchard).
The debut album from Black Star, “Mos Def and Talib Kweli are Black Star,” released on Sept. 29, 1998 (the greatest release date in hip-hop history) did not disappoint. Both lyricists and ...
Terms of Endearment is a 1983 American family tragicomedy [3] film directed, written, and produced by James L. Brooks, adapted from Larry McMurtry's 1975 novel of the same name.
16 Blocks is a 2006 American crime thriller film directed by Richard Donner and starring Bruce Willis, Mos Def, and David Morse. The film unfolds in the real time narration method. It marked the final directed film for Donner during his lifetime [ 3 ] [ 4 ] in addition to the last acting role for his cousin and frequent collaborator Steve Kahan .