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As long-time art critic for ... Action painting was a style widespread from the 1940s until the early 1960s, ... In abstract painting during the 1950s and 1960s, ...
Abstract Expressionism preceded Color Field painting, Lyrical Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, and the other movements of the 1960s and 1970s and it influenced the later movements that evolved. The interrelationship of/and between distinct but related styles resulted in influence that worked both ways between artists ...
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
His painting Big A is an example of his color field paintings of the late 1960s. [21] [27] During the late 1950s and early 1960s, Frank Stella was a significant figure in the emergence of minimalism, post-painterly abstraction and color field painting. His shaped canvases of the 1960s like Harran II (1967) revolutionized abstract painting. One ...
Richter created various painting pictures from black-and-white photographs during the 1960s and early 1970s, basing them on a variety of sources: newspapers and books, sometimes incorporating their captions, (as in Helga Matura (1966)); private snapshots; aerial views of towns and mountains, (Cityscape Madrid (1968) and Alps (1968)); seascapes ...
2.5 Abstract painting and sculpture in the 1960s and ... art made between the aftermath of World War II and the early years of the ... sense of time, scale, size, and ...
In the winter of 1966–67, he returned to abstraction, this time in a distinctly personal, geometric style that departed from his early abstract expressionist period. The Ocean Park series, begun in 1967 and developed for the next 18 years, became his most famous work and resulted in approximately 135 paintings.
In the early 1960s he became involved In the Op art and Kinetic art movements, exhibiting with Bridget Riley, Jeffrey Steele, Michael Kidner and Peter Sedgley.A fascination with interferometry influenced his work at this time and enabled him to develop the linear element in the collage works into a form of optical painting.
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