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Subarnarekha (Bengali: সুবর্ণরেখা Subarṇarekhā) is an Indian Bengali film directed by Ritwik Ghatak. [1] It was produced in 1962 but not released until 1965. It is a part of the trilogy that includes Meghe Dhaka Tara (1960), Komal Gandhar (1961) and Subarnarekha (1962), all dealing with the aftermath of the Partition of ...
Ritwik Ghatak directed a Bengali film Subarnarekha in 1965. Ghatak's films are deeply haunted by the spectre of the partition of Bengal in 1947. In the film Subarnarekha, Ghatak "has rendered the very idea of home as a sentimental place on an elusive other side that, like the distant, opposing banks of the Subarnarekha River, symbolically ...
Subarnarekha may refer to: Subarnarekha River, West Bengal, India Subarnarekha port, port in Odisha, India; Subarnarekha, an Indian Bengali-language film directed ...
Title Director Cast Genre Notes Akash Kusum [1]: Mrinal Sen: Soumitra Chatterjee, Aparna Sen, Subhendu Chatterjee: Parallel: Alor Pipasa: Tarun Majumdar: Pahadi Sanyal, Basanta Choudhury, Anup Kumar
Abhi Bhattacharya (20 November 1921 – 11 August 1993) was an Indian actor of Hindi and Bengali cinema, who is most remembered for his roles in films of the 1950s and the 1960s, such as Yatrik (1952), Jagriti (1954), Anuradha (1960), Subarnarekha (1965) and Amanush 1975.
1965 A Book review: Theory of Film– An Attitude to Life and an Attitude to Art: 1965 It is not possible to accept what Box Office demands: Statement column, Jugantar: 13 August 1965 The Past and Present of Bengali Films, Interview: Chalachitra Page 24–25: October 1965 A Book Review: Theory of Film; Nature of Film: Lecture F.T.I.I of Pune ...
It was part of the trilogy composed of Meghe Dhaka Tara (1960), Komal Gandhar and Subarnarekha (1962), all dealing with the aftermath of the Partition of India in 1947 and the refugees coping with it, though this was the most optimistic film of his oeuvre. [6]
Her next major film was Ritwik Ghatak's Subarnarekha (The Golden Thread ) made in 1962, but released in 1965 – the last in a trilogy examining the socio-economic implications of partition, the other two being Meghe Dhaka Tara (The Cloud-Capped Star) (1960) and Komal Gandhar (E-Flat) (1961). In the film, Ghatak depicts the economic and socio ...