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In a Western piece, after the first theme is introduced and harmony propels the music forward, it modulates to introduce a second theme in a contrasting musical key. The two themes then interact and the composition grows as an organic creation.
While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as ...
An Alpine Symphony (Eine Alpensinfonie), Op. 64, is a tone poem for large orchestra written by German composer Richard Strauss which premiered in 1915. It is one of Strauss's largest non-operatic works; the score calls for about 125 players and a typical performance usually lasts around 50 minutes. [1]
Sibelius sold his music to several publishers over the course of his career. As a relatively unknown composer in the 1890s and early 1900s, he worked with domestic firms in Helsinki, including the eponymous operations of Axel E. Lindgren and Karl F. Wasenius [], as well as Helsingfors Nya Musikhandel [], a joint venture of Konrad G. Fazer [] and Robert E. Westerlund [] until the latter ...
"Ten Blake Songs" are poems from Blake's "Songs of Innocence and of Experience" and "Auguries of Innocence", set to music by Ralph Vaughan Williams in 1957. "Tyger" is both the name of an album by Tangerine Dream, which is based on Blake's poetry, and the title of a song on this album based on the poem of the same name.
Guillaume de Machaut (French: [ɡijom də maʃo], Old French: [ɡiˈʎawmə də maˈtʃaw(θ)]; also Machau and Machault; c. 1300 – April 1377) was a French composer and poet who was the central figure of the ars nova style in late medieval music.
Antonín Dvořák (right) with friends and family in New York in 1893, four years before he composed A Hero's Song. A Hero's Song was Dvořák's last orchestral work and the final of his five symphonic poems, the others being The Water Goblin, The Noon Witch, The Golden Spinning Wheel, and The Wild Dove (Opp. 107–110). [3]
Tchaikovsky near his house in Frolovsky, 1890. In the chapter The Sixth Symphony of his 1955 book The Symphonies of P. I. Tchaikovsky, Doctor of Art History Yuli Kremlyov made a clear distinction between what he considered to be the three unrealized plans of three different symphonies by Pyotr Ilyich Tchaikovsky from the early 1890s: E-flat major, Life, and E minor. [15]