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Backside view of a violin. Flame maple (tiger maple), also known as flamed maple, curly maple, ripple maple, fiddleback or tiger stripe, is a feature of maple in which the growth of the wood fibers is distorted in an undulating chatoyant pattern, producing wavy lines known as "flames".
In 1947 the materials used for the guitar changed to maple back and sides. Gibson changed the name to the J-200 in 1955. Due to the weak post-depression economy and wartime austerity, demand for this high-end guitar was very limited and production quantities were small. Early models made from rosewood are highly prized by collectors.
The Gibson CS-336 is a semi-hollow electric guitar manufactured by Gibson Guitar Corporation's Custom, Art & Historic Division ("CS" is an abbreviation for "Custom Shop"). "). Introduced in 2001, [1] the CS-336 was the Custom Shop's first "tonally carved" guitar, meaning that the back, center block, and sides are carved from one single piece of wood (maho
It was listed as a "student model" by Gibson, with spruce top and laminated mahogany back and side. B-20 was produced during 1970–1971, with solid mahogany back and top. It's worth mentioning that there is also a model B-45-12 in the B series, which is actually a full-size round-shoulder dreadnought, like the J-45, and only in 12-string version.
Fiddleback may refer to: Fiddleback chasuble , a Christian liturgical vestment Fiddleback maple , a particular grain of maple wood used for musical instruments
Variations of maple (commonly maple wood with flamed or quilted grains) are used on the tops of electric guitars for aesthetic purposes. The very sturdy frame of the modern piano is usually made of maple or of beech. Mahogany may be used in the tops of some guitars as well as the back, sides, and necks of instruments of the mandolin and guitar ...
From its introduction in 1922–23 to the 1940s, the L-5 came in different configurations (all strictly acoustic): Type one 16" - As it first appeared when originally introduced in Gibson's price list (April 1923), the L-5 sported a 16" body with a Cremona brown finish, birch or maple sides, a single-bound, 20-fret fingerboard with a pointed end, dot inlays, a slanted "The Gibson" script logo ...
The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an improvement over the Venetian cutaway that Gibson had been using on guitars. [4] The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5]
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