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GLENN MILLER'S 125 Jazz Breaks for Trombone. $1.00." [2] An ad for the sheet music also appeared in the 1928 Metronome, Volume 44, Page 42. The songbook contained the sheet music for 125 jazz breaks or improvisations for trombone with piano accompaniment in different keys. The Melrose Bros. Music Company was founded by Walter Melrose and Lester ...
Pages in category "Free jazz trombonists" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. B. Conny Bauer;
Williams began writing the Jurassic Park score at the end of February 1993, and it was conducted a month later; because Williams sustained a back injury during the scoring sessions, several cues were conducted by Artie Kane [3] (Kane is uncredited in the film, but receives special thanks in the 1993 soundtrack album's credits and is listed as a conductor in the La-La Land Records set).
Trombone's first premiere in jazz was with Dixieland jazz as a supporting role within the Dixie Group. This role later grew into the spotlight as players such as J.J. Johnson and Jack Teagarden began to experiment more with the instrument, finding that it can fill in roles along with the saxophone and trumpet in bebop .
1952: Jazz South Pacific (Regent / Savoy) 1953: Jay Jay Johnson with Clifford Brown [BLP 5028] (Blue Note) – 10" 1953: Jazz Workshop, Volume One: Trombone Rapport with Kai Winding, Bennie Green, Willie Dennis (Debut Records) 1953: Jazz Workshop, Volume Two: Trombone Rapport (Debut, 1955) – more recordings from the 1953 Jazz Workshop sessions
For example, if a seventh chord, such as G 7, appears in a lead sheet or fake book, many chord-playing performers add the ninth, thirteenth or other notes to the chord, even though the lead sheet does not specify these additional notes. Jazz players can add these additional, upper notes because they can create an important part of the jazz sound.
"Original Jelly Roll Blues", usually shortened to and known as "Jelly Roll Blues", is an early jazz fox-trot composed by Jelly Roll Morton. He recorded it first as a piano solo in Richmond, Indiana, in 1924, and then with his Red Hot Peppers in Chicago two years later, titled as it was originally copyrighted: "Original Jelly-Roll Blues".
Edward Elgar, Duett for trombone and double bass (1887) Karlheinz Essl, exit*glue for Trombone and Electric Guitar (2016) Christopher Fox, Hidden Consequences for Microtonal Horn, Trombone and Microtonal Tuba (2009-10) Johannes Fritsch, 12'99–01'00 for Trombone and Percussion (2000) Beat Furrer, spazio immergente for Soprano and Trombone (2015)
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