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2. Dies irae - Wikipedia

   en.wikipedia.org/wiki/Dies_irae

   Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...

3. Music for the Requiem Mass - Wikipedia

   en.wikipedia.org/wiki/Music_for_the_Requiem_Mass

   The sequence employed in the Requiem, Dies irae, attributed to Thomas of Celano (c. 1200 – c. 1260–1270), has been called "the greatest of hymns", worthy of "supreme admiration". [1] The Latin text is included in the Requiem Mass in the 1962 Roman Missal. An early English version was translated by William Josiah Irons in 1849.

4. Pie Jesu - Wikipedia

   en.wikipedia.org/wiki/Pie_Jesu

   Pie Jesu" (/ ˈ p iː. eɪ ˈ j eɪ. z uː,-s uː / PEE-ay-YAY-zu; original Latin: "Pie Iesu" /ˈpi.e ˈje.su/) is a text from the final (nineteenth) couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "pious Jesus" in the vocative.

5. Lauda Sion - Wikipedia

   en.wikipedia.org/wiki/Lauda_sion

   The sequence's English title is Sing forth, O Zion, sweetly sing [5] or, as below, Sion, lift up thy voice and sing. As with Aquinas's other three Eucharistic hymns, the last few stanzas of the Lauda Sion are often used alone, in this case, to form the Ecce panis Angelorum .

6. Libera me - Wikipedia

   en.wikipedia.org/wiki/Libera_Me

   Libera me, Domine, de morte æterna, in die illa tremenda Quando cœli movendi sunt et terra Dum veneris iudicare sæculum per ignem. Tremens factus sum ego, et timeo, dum discussio venerit, atque ventura ira

7. Sequence (musical form) - Wikipedia

   en.wikipedia.org/wiki/Sequence_(musical_form)

   In the Missal of Pius V (1570) the number of sequences for the entire Roman Rite was reduced to four: Victimae paschali laudes (11th century) for Easter, Veni Sancte Spiritus for Pentecost (12th century), Lauda Sion Salvatorem (c.1264) for Corpus Christi, and Dies Irae (13th century) for All Souls and in Masses for the Dead.

8. Requiem (Lloyd Webber) - Wikipedia

   en.wikipedia.org/wiki/Requiem_(Lloyd_Webber)

   He does not set the Agnus Dei separately, but rather combined the text of Pie Jesu, a motet derived from the final couplet of the usual Dies irae, with that of the Agnus Dei, commonly heard later in the standard Requiem Mass. He includes a text from the burial service, Libera me. Introit – Kyrie; Sequence: Dies irae; Recordare; Ingemisco

9. A Hymn of St Columba - Wikipedia

   en.wikipedia.org/wiki/A_Hymn_of_St_Columba

   The text reflects the day of judgement, similar to the Dies irae sequence, first in anxiety and finally in an outlook for rest after earthly desires have ended. [ 4 ] A Hymn of St Columba is dedicated to Derek Hill, who commissioned it, [ 2 ] and was published by Boosey & Hawkes .