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Extreme example of ornamentation as a fioritura from Chopin's Nocturne in D ♭ major. In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity ...
Vocal music of the classical tradition has included a variety of ornaments known as trills since the time of Giulio Caccini. In the preface to his Le nuove musiche , he describes both the "shake" (what is commonly known today as the trill) and the "trill" (now often called a Baroque or Monteverdi trill).
Trillo, Italian for Trill (music), a musical ornament In 17th century Italy "trillo" denotes the so-called 'Monteverdi trill' or 'goat's trill', a tremolo-like repetition of a single pitch, the term "gruppo" being used for the modern trill or shake. Trillo, a threshing-board used in some Spanish-speaking countries
Accent can refer to any stressed or emphasized note, such as sforzando.It was used to indicate an ornament until the 18th century. In German Baroque music it occurs in J. S. Bach's ornament tables as a stressed appoggiatura, indicated by a half circle or "C" in front of a note.
The precise meaning of mordent has changed over the years. In the Baroque period, a mordent was a lower mordent and an upper mordent was a pralltriller or schneller.In the 19th century, however, the name mordent was generally applied to what is now called the upper mordent, and the lower mordent became known as an inverted mordent.
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The voiceless uvular trill is a type of consonantal sound, used in some spoken languages.It is less common than its voiced counterpart.The symbol in the International Phonetic Alphabet that represents this sound is ʀ̥ , a small capital version of the Latin letter r with a ring diacritic indicating voicelessness.