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Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...
Gómez, Maricarmen (ed.), Historia de la Música en España e Hispanoamérica 2. De los Reyes Católicos a Felipe II (Madrid-México D.F., Fondo de Cultura Económica, 2012). Pastor Comín, Juan José, "La escritura musical de Juan del Encina" poetics más allá de la palabra," in F.B. Pedraza Jiménez, R. González Cañal, and E.E. Marcello ...
A map of Vaqueiro brañas. The ancestral territory of the Vaqueiros is in western Asturias and northwestern León. The traditional communities, or brañas, of the Vaqueiros can be found in the Asturian municipalities of Belmonte de Miranda, Cangas del Narcea, Cudillero, Gijón, Gozón, Llanera, Navia, Oviedo, Pravia, Las Regueras, Salas, Siero, Somiedo, Teverga, Tineo, Valdés, Asturias, and ...
Musica enchiriadis is an anonymous musical treatise of the 9th century. It is the first surviving attempt to set up a system of rules for polyphony in western art music. The treatise was once attributed to Hucbald, but this is no longer accepted. [1] Some historians once attributed it to Odo of Cluny (879-942). [2]
The revival of interest in Early music has given rise to a scholarly approach to the performance of music. Through academic musicological research of music treatises, urtext editions of musical scores and other historical evidence, performers attempt to be faithful to the performance style of the musical era in which a work was originally conceived.
Romanesca. [1] Play ⓘ. Passamezzo and Romanesca melodic formula [2] on D Play ⓘ.. Romanesca is a melodic-harmonic formula popular from the mid–16th to early–17th centuries that was used as an aria formula for singing poetry and as a subject for instrumental variation.
Stylistically, the music of the ars nova differed from the preceding era in several ways. Developments in notation allowed notes to be written with greater rhythmic independence, shunning the limitations of the rhythmic modes which prevailed in the thirteenth century; secular music acquired much of the polyphonic sophistication previously found only in sacred music; and new techniques and ...
Tomás Luis de Victoria (sometimes Italianised as da Vittoria; c. 1548 – c. 20–27 August 1611) was the most famous Spanish composer of the Renaissance.He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy ...