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Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
The Finding of the Saviour in the Temple (1854–1860) is a painting by the English artist William Holman Hunt intended as an ethnographically accurate version of the subject traditionally known as "Christ Among the Doctors", an illustration of the child Jesus debating the interpretation of the scripture with learned rabbis.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
The Finding in the Temple, also called (particularly in art) Christ among the Doctors, the Disputation in the Temple, or variations of those names, is an episode in the early life of Jesus as depicted in the Gospel of Luke . [1] It is the only event of the later childhood of Jesus mentioned in a canonical gospel. [2]
John Nolland comments that the good fortune reflected in the "finding" reflects a "special privilege," [1] and a source of joy, but also reflects a challenge, [1] just as the man in the parable gives up all that he has, in order to lay claim to the greater treasure he has found. John Calvin writes of this parable:
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
Christ in Majesty or Christ in Glory (Latin: Maiestas Domini) [1] is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context.