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King Kong is a 1933 American pre-Code adventure horror monster film [5] directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien and music by Max Steiner. Produced and distributed by RKO Radio Pictures, it is the first film in the King Kong franchise.
Willis Harold O'Brien (March 2, 1886 – November 8, 1962), known as Obie O'Brien, was an American motion picture special effects and stop-motion animation pioneer, who according to ASIFA-Hollywood "was responsible for some of the best-known images in cinema history," and is best remembered for his work on The Lost World (1925), King Kong (1933), The Last Days of Pompeii (1935) and Mighty Joe ...
In the early 1930s, Dunn became part of the effects team responsible for the creation of the original King Kong (1933). He advanced his special effects techniques through extensive cutting between a miniature Kong model in full shots and fully-scaled body parts in close-ups, a technique he would repeat for later movies, including the sequel ...
In March 1983, Harryhausen participated in a special one-day event at Mann's Chinese Theater celebrating the 50th anniversary of premiere screening of the 1933 King Kong in the same theater. Visual effects technicians from several film-effects facilities recreated the life-sized bust of Kong as it appeared in the theater's outer lobby area 50 ...
Unlike King Kong (1933), the special effects in Godzilla were accomplished with suitmation and miniature sets, also known as tokusatsu. King Kong was portrayed by Shoichi Hirose and Godzilla portrayed by Haruo Nakajima; stop motion was also used in a few brief scenes. [31]
King Kong (1933) poster. While he worked in the Institute he met Willis O'Brien, who worked in special effects for movies in Hollywood.O'Brien was a specialist in building miniature creatures and sets as well as in stop-motion animation.
Isidoro Raponi, the acclaimed mechanical effects expert who helped design, build and operate E.T. for the 1982 Steven Spielberg classic and worked on such other films as King Kong, Alien and Close ...
Some of the most influential visual effects films of these early years such as Metropolis (1927), Citizen Kane (1941), Godzilla (1954) The Ten Commandments (1956). [3] The 1933 film King Kong made extensive use of miniature effects including scale models and stop-motion animation of miniature elements.
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