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In France in the 17th century, women who rode wore an outfit called a devantiere. [1] The skirt of the devantiere was split up the back to enable astride riding. [2] By the early 19th century, in addition to describing the whole costume, a devantiere could describe any part of the riding habit, be it the skirt, [2] the apron, [3] or the riding ...
In a June 1666 diary entry, Samuel Pepys describes the Maids of Honour in their riding habits of mannish coats, doublets, hats, and periwigs, "so that, only for a long petticoat dragging under their men's coats, nobody could take them for women in any point whatever". For riding side-saddle, the costume had a long, trailing petticoat or skirt ...
A safeguard or saveguard was a riding garment or overskirt worn by women in the sixteenth and seventeenth centuries. Some safeguards were intended to protect skirts or kirtles worn beneath. [ 1 ] Mary Frith , dramatised as the character Moll Cutpurse in The Roaring Girl , wore a black safeguard over breeches . [ 2 ]
Empress Elisabeth Christine in riding costume. In the early decades of the new century, formal dress consisted of the stiff-bodiced mantua. A closed (or "round") petticoat, sometimes worn with an apron, replaced the open draped mantua skirt of the previous period. This formal style then gave way to more relaxed fashions.
Henrietta Maria's riding costume consists of a jacket-bodice of blue satin with long tabbed skirts and a matching long petticoat. She wears a broad-brimmed hat with ostrich plumes, 1633. A Lady from Spanish court wears an elegant, black dress. Its simplicity is a testament to the austerity of the Spanish court; however, her high hair is quite ...
Dress, appointments, riding style, and even the type of horse used are all judged against a formalized standard for an "ideal" appearance. The riding habit in such classes is the formal attire found in the hunting field, starting with a coat and apron. The apron used is based on the open-sided safety apron developed in the late 19th century.
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