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'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
The dinnerware design team designed the Madeira line of patterns, an innovative studio potter shape dinnerware. One of the companies top selling pattern on the Madeira shape designed by Rupert J. Deese was the pattern Madeira designed by Jerry Rothman with a dark glaze developed by Kathy Takemoto.
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
The Fiesta Tableware Company originated as Laughlin Pottery, a two-kiln pottery on the banks of the Ohio River in East Liverpool, Ohio — started in 1871 by brothers Shakespeare and Homer Laughlin. Shakespeare left the company in 1879. [3] [4] In 1889 William Edwin Wells joined Laughlin, and seven years later they incorporated. Laughlin sold ...
The term "Hispano-Moresque" is also used to describe figured silk textiles with geometric patterns woven in Al-Andalus, [31] and sometimes to refer to Mudéjar or other work in other media, such as carpets, an industry which followed a similar pattern to pottery in Spain.
Vernon continued to produce a number of original Poxon patterns until 1933 when an earthquake destroyed most of the remaining Vernon/Poxon China ware stock. As a result, Vernon Kilns took the opportunity to create a new set of dinnerware molds: The result was the pottery company's first original dinnerware shape, Montecito. [1]
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