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Wind instruments can effect a similar limited slide by altering the lip pressure (on trumpet, for example) or a combination of embouchure and rolling the head joint (as on the flute), while others such as the clarinet can achieve this by slowly dragging fingers off tone holes or changing the oral cavity's resonance by manipulating tongue ...
The complex fingering system and the expense and lack of access to quality bassoon reeds can make the bassoon more of a challenge to learn than some of the other woodwind instruments. [22] Cost is another factor in a person's decision to pursue the bassoon. Prices may range from US$7,000 to over $45,000 for a high-quality instrument. [23]
An offstage instrument or choir part in classical music is a sound effect used in orchestral and opera which is created by having one or more instrumentalists (trumpet players, also called an "offstage trumpet call", horn players, woodwind players, percussionists, other instrumentalists) from a symphony orchestra or opera orchestra play a note, melody, or rhythm from behind the stage, or ...
Emmanuel Chabrier: España, four bassoons in unison play a Spanish tune. Frédéric Chopin: "Piano Concerto No. 2 (Chopin)", measures 82, etc. of the Larghetto feature a sublime moment for the bassoon. Michael Daugherty: Alligator Alley features bassoon solos at the beginning and lively melody through the whole piece.
The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, construction, material composition, physical state, etc.), the manner in which the instrument is played (plucked, bowed, etc.), the means by which the instrument produces sound, the quality ...
This piece features glissandos, rapid shifts in key, and the most extensive parts Gershwin wrote for the harp; written by Gershwin specifically for the ballerina Harriet Hoctor. Premiere live concert performance of Hoctor's Ballet occurred on July 28, 2007 at the Severance Hall Pavilion in Cleveland, Ohio; Loras John Schissel conducting the ...
Techniques which may create or be used with sound mass include extended techniques such as muted brass or strings, flutter tonguing, wide vibrato, extreme ranges, and glissandos as the continuum for "sound mass" moves from simultaneously sounding notes – clusters etc., towards stochastic cloud textures, and 'mass structure' compositional ...
The son of a teacher, Carl Almenräder was born in Ronsdorf near (Wuppertal.He taught himself to play the bassoon after he was given one when aged just 13. He started out in 1810 playing in a theatre orchestra in Cologne, but he switched to an orchestral position in Frankfurt in 1812 where by 1814 he was also obtaining solo work.