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"Something" is a song by the English rock band the Beatles from their 1969 studio album Abbey Road. It was written by George Harrison, the band's lead guitarist.Together with his second contribution to Abbey Road, "Here Comes the Sun", it is widely viewed by music historians as having marked Harrison's ascendancy as a composer to the level of the Beatles' principal songwriters, John Lennon and ...
The Beatles completed the track on 14 June 1965 at EMI Studios in London on the same day they recorded "I'm Down" and "Yesterday". The recording fuses country and western with several other musical genres, including folk rock, folk, pop rock and bluegrass. With no bass guitar, it features three acoustic guitars, a brushed snare and maracas.
According to Walter Everett the opening chord has an introductory dominant function because McCartney plays D in the bass: Harrison and Martin play F A C G, over the bass D, on twelve-string guitar and piano respectively, giving the chord a mixture-coloured neighbour, F; two diatonic neighbours, A and C; plus an anticipation of the tonic, G ...
Harrison likened "If I Needed Someone" to "a million other songs" that are based on a guitarist's finger movements around the D major chord. [22] [nb 3] The song is founded on a riff played on a Rickenbacker 360/12, [24] [25] which was the twelve-string electric guitar that McGuinn had adopted as the Byrds' signature instrument after seeing Harrison playing one in A Hard Day's Night.
"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
The unusual chord progression is an example of the Beatles' use of chords for added harmonic expression, [28] a device that Harrison adopted from Lennon's approach to melody. [29] Musicologist Walter Everett describes the composition as "a tour de force of altered scale degrees". He adds that, such is the ambiguity throughout, "its tonal ...
Its distinctive lead guitar cadences were achieved by using a volume pedal [20] and through common guitar suspended chords in the key of A. These form the introduction and most of the verse of the song and give a quasi-modal effect relieved in the verse by a line in the relative minor , the whole making a fourteen-bar ternary verse-structure .
On the Beatles' 2006 remix album Love, the song was remixed in mashup along with "Being for the Benefit of Mr. Kite!", and snippets of that song and "I Want You (She's So Heavy)" are mixed in with the repeated guitar riff. [46] [47] The mix also included the organ solo and the guitar solo from the Trident studio outtake.