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The song tells how on Christmas morning, Tommy's father is worried about Tommy's future, and soul. His future is jeopardized due to being deaf, dumb, and blind. [2] The lyrics contrast religious themes such as Christmas and Jesus Christ with Tommy's ignorance of such matters. The rhetorical question, "How can he be saved from the eternal grave?"
The album was projected for a Christmas 1968 release [108] but recording stalled after Townshend decided to make a double album to cover the story in sufficient depth. [ 109 ] By the end of the year, 18 months of touring had led to a well-rehearsed and tight live band, which was evident when they performed "A Quick One While He's Away" at The ...
"Christmas" Townshend Daltrey Townshend Tommy: 1969 [1] "C'mon Everybody" (cover, live) Eddie Cochran Jerry Capehart: Daltrey Live at the Fillmore East 1968: 2018 [26] "Cobwebs and Strange" Moon Instrumental A Quick One: 1966 [9] "Cooks County" Townshend Daltrey Townshend It's Hard: 1982 [8] "Cousin Kevin" Entwistle Entwistle Tommy: 1969 [1 ...
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The lyrics reflect the contradictions Townshend was feeling between his desire for spirituality and self-understanding against his persona as a hard-drinking hard-partying rock star. [2] Along with the previous song on Who's Next , " The Song Is Over ," "Getting in Tune" also incorporates a theme of the power of music, both socially and ...
Beyond the fluffy white stuff, though, any given holiday special “exudes Christmas,” Moffat notes. After all, “you’ve got a hero that’s the closest to Santa Claus!
Tommy is the fourth studio album by the English rock band the Who, released on 19 May 1969. [2] Written primarily by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of the fictional Tommy Walker and his path to becoming a spiritual leader and messianic figure.
"Please Come Home for Christmas" is a Christmas song, written in 1960 and released the same year by American blues singer and pianist Charles Brown. [3] Hitting the Billboard Hot 100 chart in December 1961, the tune, which Brown co-wrote with Gene Redd [ note 1 ] , peaked at position number 76.