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The image is intended as a derogatory depiction, and employs many stereotypes of Jews. These include: A large, hook-shaped nose ("Jewish nose"); A yarmulke (Jewish head garment); A malevolent smile, with a slightly hunched back and hands being rubbed together, to indicate greed or scheming;
As a girl, my favorite pastime was giving inspirational speeches about hope and justice to a captive audience of dolls in my closet. I quoted Martin Luther King Jr. and Holocaust activist Corrie ...
Not as a cute, little, “special” girl who needs to be handled with kiddie gloves, but an assertive, empowered woman — the kind of person I’ve always been. I’m just sitting now instead of ...
Girls all over the world used to tell me that they had never seen a Jewish girl like me on TV before they saw me on “Blossom.” Many said they knew I was Jewish and it made them proud to be ...
The Death of Klinghoffer is an American opera, with music by John Adams to an English-language libretto by Alice Goodman.First produced in Brussels and New York in 1991, the opera is based on the hijacking of the passenger liner Achille Lauro by the Palestine Liberation Front in 1985, and the hijackers' murder of a 69-year-old Jewish-American wheelchair-using passenger, Leon Klinghoffer.
Throughout the book, the author made a clear distinction between Germans and Jews. On the front cover, there is a picture of a fox and a picture of a man depicted as a Jew—he has a big nose, big ears and a chubby hand with a Star of David next to him. The book is divided into ten sections: [26] The Father of the Jews is the Devil; The Eternal Jew
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In 1979, Warhol began working on the series which was suggested to him by art dealer Ronald Feldman. [3] The subjects of the portraits were subsequently chosen by Feldman after consultation with the director of the art school of the Jewish Community Center of Greater Washington, Ruth Levine, and with the Center's gallery director, Susan Morgenstein.