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"Love Hurts" is a song written and composed by the American songwriter Boudleaux Bryant. First recorded by the Everly Brothers in July 1960, the song is most well known in two hit versions by UK artists; by Scottish hard rock band Nazareth in 1974 and by English singer-songwriter Jim Capaldi in 1975.
Here are 50 easy karaoke songs that will make anyone a star on the stage.
"Love Hurts" was released to alternative radio in October 2008, and hit number one on Billboard's Hot Modern Rock Tracks chart for the week ending February 21, 2009.It joins "Drive", "Megalomaniac", and "Anna Molly" as one of four songs by the band to top the chart, and their only secondary single from an album era to accomplish this feat.
The Allmusic review by Thom Jurek stated "Of all the records in Lage's catalog, Love Hurts sounds like it was the most fun to make; in turn, it is a complete delight for listeners". [6] On All About Jazz, Chris Mosey said "Julian Lage is a tremendously talented acoustic guitarist and by all accounts a polite, mild mannered kind of guy. Though ...
The original version was released by Everly Brothers in 1960; however, the most popular version of the song (and the only rendition of "Love Hurts" to become a hit single in the United States, reaching No. 8 on the Billboard Hot 100 in early 1976) was the one recorded by Scottish hard rock band Nazareth.
Love Hurts is the fifth solo studio album by the English singer Elaine Paige, released in 1985, on the Warner Music label. [1] The album peaked at number eight in the UK Albums Chart . [ 2 ] Originally released on vinyl record and cassette, the album was later released on CD.
Commonly used in both popular and classical music, barre chords are frequently used in combination with "open" chords, where the guitar's open (unfretted) strings construct the chord. Playing a chord with the barre technique slightly affects tone quality. A closed, or fretted, note sounds slightly different from an open, unfretted, string.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...