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Broadway (1928, Benton), capital letters only. Broadway Condensed (1929, Benton), capitals + lower-case; Brody (1953, Harold Broderson) Brush (1942, Robert E. Smith) Bulfinch Oldstyle (1903, Benton), commissioned by the Curtis Publishing Company and prepared by Benton for production from original designs by William Martin Johnson.
Broadway is a decorative typeface, perhaps the archetypal Art Deco typeface. The original face was designed by Morris Fuller Benton in 1927 for ATF as a capitals-only display face. It had a long initial run of popularity, before being discontinued by ATF in 1954.
Card Litho + Card Light Litho (1917), a modification of a 1907 Inland Type Foundry design that ATF had acquired when the companies merged in 1912. Announcement Roman + Italic (1918) American Caslon (1919), based on the Inland Type Foundry's Inland New Caslon , a version of a face originally cut by William Caslon in the 18th century.
Around 1975, Broadway's first computerized control console was designed for the musical "Chorus Line" on the Broadway stage by Electronics Diversified, a small Portland, Oregon company. The conceptualizer, and design engineer for the board was Gordon Pearlman, who left EDI shortly thereafter, and was hired by Kliegl in late 1975 or early 1976.
The TRS-80 computer manufactured by Tandy / Radio Shack contains an 8-bit character set. [1] It is partially derived from ASCII, and shares the code points from 32 - 95 on the standard model.
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The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...