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The New York Times has used video games as part of its journalistic efforts, among the first publications to do so, [13] contributing to an increase in Internet traffic; [14] In the late 1990s and early 2000s, The New York Times began offering its newspaper online, and along with it the crossword puzzles, allowing readers to solve puzzles on their computers.
E. E. Bradman of Bass Player commented "This perfectly titled set of conversations is a sumptuous addition to the great canon of bass-and-piano duets, of which the recently departed Charlie Haden was a master. Without drums, you can hear the strength, idiosyncrasy, and tone of Holland’s masterful support, improvisation, and style".
Born in Brooklyn, New York, on November 19, 1951, and then growing up in Oceanside, Long Island, Werner began playing and performing at a young age, first appearing on television at the age of 11. Although he studied classical piano as a child, he enjoyed playing anything he heard on the radio and improvisation was his true calling.
The set had tentative moments, but he ended fully on his feet, and it was as good a demonstration of blues phrasing as can be heard in jazz." [8] Writing a review of the album Power Station for Jazz Times, Sid Gribetz said, "Weiss is an excellent pianist who plays bebop and hard-bop lines with elegance and precision. He has a deft touch and ...
The Grand Master of the Soprano Saxophone and Clarinet (Columbia, 1956) With Marty Grosz. I Hope Gabriel Likes My Music (Aviva, 1982) Marty Grosz and The Keepers of the Flame (Stomp Off, 1987) With Odetta. Odetta and the Blues (Riverside, 1962) Sometimes I Feel Like Cryin' (RCA Victor, 1962) With Bob Wilber. Bob Wilber and His Jazz Band Volume ...
Without Deception is a studio album by English jazz bassist Dave Holland, drummer Johnathan Blake, and pianist Kenny Barron. The album was released on 6 March 2020 () by Dare2, Holland's own label. [11] The album was recorded in Mount Vernon, New York, and consists of 10 compositions, including the Thelonious Monk's rarity "Worry Later". [4]
The piano was old and in bad shape, way out of tune, and given the action of the keys and other factors, it would probably cost a couple of grand to get into playing shape, Marshall said.
Kenny Barron is heard on piano, electric piano, and clavinet on various tracks ... This is an LP that rewards repeated listenings" [ 6 ] On All About Jazz , Douglas Payne said " Peruvian Blue has much to offer casual jazz listeners and 'Two Areas,' 'The Procession' and ' Blue Monk ,' especially, provide required listening for fans of both Kenny ...